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Review Date:
01/30/2009
My brother Dave is visiting here this
week in the good land of Bongo Congo, and recommended that
I read
and review two of this week's ongoing Avenger comic lines.
So let's see if I like the issues as much as he did:
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Dark
Avengers #1
Publisher: Marvel Comics
Brian Michael Bendis: Writer
Mike Deodato: Art
Rain Beredo: Color Art |
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Marvel has just published issue #1 of
a new Dark Avengers comic line, with Brian Michael Bendis
as writer, Mike Deodato and artist and Rain Beredo as
colorist. The new line is one of several ongoing
Avengers comic lines, along with other Marvel hero comics,
dealing with the aftermath of the Skrull secret invasion
of Earth, a subject that's been prominent in Marvel
comics within the past year.
Issue #1 of Dark Avengers
begins with a clear one-page summary of the highlights
of the secret invasion storyarc, from the initial invasion
to the penultimate battle in Central Park, New York,
where the Avengers and other heroes allied with major
bad-guys from the Marvel Universe to barely defeat the
alien invaders. Apparently Harry Osborn, Spiderman's
Green Goblin enemy, saved the day and now has risen
to the top of the power pyramid in the U.S. national
security network, replacing Nick Fury of S.H.I.E.L.D
and Tony Stark as superhero heads of American security
and defense.
As expected, Osborn is an evil
wolf in good-guy sheep's clothing. The plot in
issue #1 focuses on Osborn recruiting one-by-one bad
guys to serve in false good-guy identities, along with
a few legitimate good guys, as a new version of The
Avengers. At the same time, Osborn works within
the U.S. federal security bureaucracy to build a new
agency called H.A.M.M.E.R. to replace S.H.I.E.L.D.
A more limited sub-plot in this issue addresses Osborn's
secret ally Dr. Doom being pursued and confronted by
his time-traveling nemesis, the enchantress Morgana
Le Fay.
One of writer Bendis's strong
points in any comic that he writes is his ability to
weave into his story believable aspects of real-world
political realism. Here, he once again succeeds
in bringing real-world complexity to what could have
been a simplistic, good-guy, bad-guy superhero storyline.
For example, although Ms. Marvel sees through Osborn
and initially rejects his offer to lead this new anti-hero
team, she has to struggle with the painful fact
that two decent heroes, Ares and Sentry, are willing
to knowingly blend themselves into this new, questionable
world that Osborn is creating.
On one storytelling level,
the plot here is a comment on our real-world dilemma
of trying to maintain our own post-9/11 national security
in a world that often tempts us to consider crossing
the line to the dark side in addressing the problems
of terrorism and national security. I know that
sounds heavy and preachy, but Bendis manages to present the
issue here in a simple and clear way that blends
nicely into a traditional superhero comic book story,
giving the reader a decent balance between both comic
book entertainment and political food-for-thought on
this serious subject. |
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The
Mighty Avengers #21
Publisher: Marvel Comics
Dan Slott: Writer
Khoi Pham: Penciller
Allen Martinez & Danny Miki: Inkers |
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Our second Avengers comic review for this week is the
current issue #21 of The Mighty Avengers, scripted by
Dan Slott and drawn by Khoi Pham, Allen Martinez and
Danny Miki. As with Dark Avengers #1, the issue
begins with a very helpful one-page narrative summary
of previous events, again summarzing the Skrull Invasion
highlights, but then adding that Avengers member Wanda
Maximoff, The Scarlet Witch, is now insane from the
nature of her powers and considered very dangerous.
The plot is a fast-paced
storyline in which simultaneous disasters of Biblical
proportion (i.e., tidal waves of blood, etc.), caused
by a villain whom I won't reveal here, are occurring
in cities the world over. Various characters including
The Vision and Harry Osborn with his New Avengers struggle
to address the situation, while Hercules, Amadeus Cho
and old Avengers servant Edwin Jarvis seek out Antman
Henry Pym to try and team-up to figure-out what's
going-on. Interwoven throughout is a sub-plot
of The Scarlet Witch traveling the globe to find individual
heros such as The Hulk and John Walker, with an inference
that she's not attacking them but somehow trying to
assemble them with her against whatever's causing the
international catastrophe.
While not on a high quality
par with Bendis's Avenger's story reviewed above, this
is still a good issue; I liked reading a modern-day
Avengers story that featured traditional, old-school
Avenger characters such as The Scarlet Witch, Edwin
Jarvis and Henry Pym, who are often overshadowed in
Marvel stories these days by more newcomer characters.
There are some nice flashback sequences throughout the
story regarding very early Avenger history. The
creative team also does a very nice job of blending
The Scarlet Witch's insanity with a still-existing side
of her character that reaches out to address the world-wide
problems as she seeks to ally herself with
The Avengers.
So all-in-all, a thumbs-up
recommendation for both Avengers comics, with Dark
Avengers #1 giving us a cutting-edge, new approach and
The Mighty Avengers #21 complementing that new-school
side of the Avengers world with an action-paced story
centering around traditional, founding Avengers characters
in today's post-Skrull Invasion World. Good King
Leonardo agrees with my brother Dave, and decrees that
ye shall consider reading both comics for some solid
Avengers Assemble entertainment!
Thor Follow-Up:
Just a quick heads-up, that in follow-up to my positive
recommendation last week regarding the current issue
#12 of The Mighty Thor, I noticed the other day that
issues #1 through #6 are already assembled in
graphic novel reprint format, so you might want to check-out
those first six issues along with the current comic
issues on the That's Entertainmnet wall of new stuff. |
Contest Reminder !!!
Finally, King Leonardo directs me to remind
you all that we have another week remaining in our current
contest to submit your favorite single comic book issue
of the decade of the 1970's, telling us why your comic
is so near and dear to your Year 2009 heart. Again,
it doesn't have to be an iconic comic of that decade, just
something that you liked or loved a lot. So e-mail
those contest submittals to Gordon_A@msn.com!
'Til next week, Happy Comic Book reading!
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