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Review Date: Friday, March
4, 2011
It's Bizarro World Week here in Bongo Congo, with
Good King Leonardo having decreed that we review three
comic books that seem extremely oddball or weird from
the looks of their front covers. But you know the old
saying, "you can't judge a book by it's cover," so let's
get inside these comics and see how the stories stand-up
against each other: |
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Archie
#617
Publisher: Archie Comic Publications, Inc.
Alex Simmons: Writer
Dan Parent: Pencils
Rich Koslowski: Inks
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The winner of the most bizarre comic
book front cover for this week is Archie #617, which
features Archie posing with his arms around President
Barack Obama and ex-Governor Sarah Palin while proclaiming
"Everybody Gets Along In Riverdale!" The issue is
scripted by Alex Simmons with pencils by Dan Parent
and inks by Rich Koslowski.
The story itself is part two of a two-issue story
arc entitled "Campaign Pains." A page one re-cap of
last month's story segment explains that while campaigning
against each other for Riverdale High class president,
Archie and his buddy Reggie have their pictures taken
with Obama and Palin respectively, then use the photos
in their campaigns without getting either politician's
permission. The effort spins out of control in issue
#617, as both peeved professionals show-up in Riverdale
to find-out who's behind faking their endorsements.
There's a lot of panic and highjinks throughout the
tale as Archie and pals spend most of the story avoiding
Obama and Palin. By issue's end, the visitors team-up
to finally trap our friends, who confess and apologize,
with Principal Weatherbee meting-out appropriate punishment
for all involved.
Wacky front cover aside, as with previous issues of
Archie Comics that I've reviewed, this is a pretty
solid and decent story within the standards of the
Archie comic universe. Writer Alex Simmons strikes
a very credible balance between standard Archie comical
highjinks and presenting the two real-world politicians
within the reality of Archie Comics. There are some
excellent one-liners from both Obama and Palin that
aren't cheesey and actually deliver a combination
of comic book humor and observation on our real-world
national politics. Good Archie Comics scripts often
include a life lesson for the reader and this one
is no exception. The issue of Archie and Reggie promoting
the fake endorsements is addressed head-on in the
second part of the story, as each is confronted by
their respective politician. Again, to the writer's
credit, politics is put aside as both Obama and Palin
provide the mature mentoring here that lead both kids
to a better understanding of being responsible for
one's own actions.
So while the nutty front cover led us to review this
issue, the inside story happily provides some very
high quality entertainment, giving the reader a fun
Archie tale blended with some interesting real world
political relevancy. Whether you're a fan of Archie
or either of these story guest stars, here's a definite
thumbs-up positive recommendation to add this issue
to your new issues reading pile.
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Mark
Zuckerberg: Creator Of Facebook (One-Shot)
Publisher: Bluewater Comics
Jerome Maida: Writer
Sal Field: Pencils
Kamui Oscuro: Colors
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Bluewater Comics has a one-shot biographical
comic book on the new issue shelves featuring Facebook
creator Mark Zuckerberg. The issue is scripted by
Jerome Maida with pencils by Sal Field and colors
by Kamui Oscuro. The issue makes our "bizarro" review
column based on its kinda creepy-looking cover art
of the Facebook founder, combined with a back cover
that has a bizarro ad for an upcoming Justin Bieber
"graphic novel."
This is an oversized comic that chronicles Zuckerberg's
progress is creating Facebook. The story starts at
the beginning of his Harvard experience as the kernal
of the Facebook idea forms. Step-by-step, we follow
the experience as Zuckerberg interacts and allies
himself with friends who in one way or another get
involved in the process. An intersecting storyline
deals with the conflict side of the story, as Zuckerberg
deals with various folks with try to take advantage
of the financial potential of the social network,
including high tech venture captial investors. The
issue ends early in Zuckerberg's experience as he
initially gets the social network to a significant
national size and deals with some early conflicts
and untrustworthy people.
I admit that I haven't seen yet the popular movie
"The Social Network," which also portrays Zuckerberg's
story, but I suspect from reviews and clips of the
movie that I have seen that this comic book takes
a different approach, focusing more on the gritty
details of Zuckerberg's progress from start-up to
intial bigtime success. I'm giving this comic book
a bizzaro mixed review. The idea of a comic/graphic
presentation of this well-known bio story is presented
poorly here, and fails on traditional merits-the art
is horrendous, practically at the level of crude stick
figure doodling, the lettering is microscopic and
the tale is visually presented in boring, talking
head-style in just about every panel.
But on the bizarro flipside, if you can squint your
way through or use a magnifying glass to read the
dialogue, you'll find the narrative details of one
of the most fascinating early 21st century high tech
success stories. I would actually recommend ignoring
the crude drawings in each panel and just read the
engrossing dialogue of this at times dramatic rags-to-riches
tale as written on each page of the issue. So while
this comic book fails as graphic entertainment, for
the purposes of our weird review theme this week it
succeeds as a solid and entertaining journalistic
article on the Mark Zuckerberg story.
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Deadpool
Team-Up #884
Publisher: Marvel Comics
Tom Peyer: Writer
Jacob Chabot: Art
John Rauch: Colors
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Marvel Comics's "Deadpool Team-Up"
comic book title is up to issue #884, with a suitably
bizarro front cover proclaiming this issue's team-up
between everyone's favorite costumed nutty assassin
and guest-star The Watcher. The story is written by
Tom Peyer with art by Jacob Chabot and colors by John
Rauch.
The wacky plot begins with Deadpool trying to remember
where he stashed his millions in payment from his
last assassin job. Searching with advice from two
voices he hears in his crazy head, Deadpool crosses
paths with The Watcher; hijinks ensue as the pair
get into trouble, with The Watcher constantly repeating
the rules of his watching game, how he can't interfere
or assist Deadpool is addressing the various tight
spots they get into. Without being a detail spoiler,
by issue's end, the poor Watcher has become so stressed-out
from dealing with Deadpool that (you guessed it),
he snaps and does interfere with direct action instead
of passive watching, with hilarious results.
Unlike our two previous comic book reviews above,
this story is as entertainingly bizarro as the issue's
front cover. But that's not too surprising, given
that the nature of this comedic costumed assassin
is completely nutty to begin with. There are some
great Mad Magazine-style riffs in this tale, including
a nice satire on the many comic book titles that Deadpool
currently stars in, as well as the introduction of
"The Assistant Watcher," a college stoner-type flunky
who The Watcher sticks with all of the really boring
watching jobs (yeesh!).
So the bottom line here is another enthusiastic thumbs-up
recommendation for this consistently bizarro comic
book title that delivers its usual high level of fun
and just-plain- nuttiness in this current issue. As
a final review heads-up, the creative team continues
its teaming-up of Deadpool with grand-scale characters
with an announcement in the back of this issue that
next month's team-up guest star is none other than
Galactus, devourer of worlds, who chooses our idiot
friend Deadpool as his new outer space-surfing herald!
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