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Review Date: 03/20/2009
King Leonardo has proclaimed that its time to go back to our
DC roots for this week.
So let's review the latest issues of two comics that pay homage
to a pair of iconic DC titles:
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Astonishing
Tales #2
Publisher: Marvel Comics
Four Stories & Art By Many Writers & Artists
John Barber: Editor
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One of the most prestigious titles in DC history was
the original "Strange Adventures" comic line.
The science fiction-oriented comic ran from 1950 to
1973; among its many accomplishments was the introduction
of Captain Comet, one of the last of the pre-Silver
Age heroes, as well as the Silver Age introductions
of Deadman, The Atomic Knights and Animal Man.
I personally treasure in my own collection the
Neal Adams-created Deadman issues of this renowned
comic line.
DC has just published issue #1 in an 8-issue mini-series
of a new Strange Adventures, with the series
entitled "What Threat Lurks In The Dark Zone?"
Needless to say, there are big shoes to fill by
any creative team in taking-up new issues of the comic.
I'm pleased to report that DC meets the challenge
in issue #1. The comic is written by esteemed
industry veteran Jim Starlin, with art by Manuel Garcia,
Al Milgrom, John Kalisz and Rob Hunter.
There are two stories in issue #1. The first
story, entitled "Starting Over," stars Adam Strange
in a plot that centers on relocating the entire society
of his adopted planet Rann to the planet Throneworld,
after Rann has been devastated by war. The tale
alternates with a second sub-plot reintroducing us
to Captain Comet, as he is pursued by alien thugs
on a planet where he's been pulling-off financial
schemes due to personal money woes. A second,
7-page story is both written and pencilled by Starlin.
Entitled "A Minor Incident," the story adds Bizarro,
Superman's defective clone, into the Strange Adventures
mix, when an alien sorcerer accidentally pulls
Bizarro into the developing storyline while
miscasting a spell intended to snag Hawkman.
The goal of issue #1 of this mini-series is to introduce
us to the three main characters, Adam Strange, Captain
Comet and Bizarro, with further issues bringing the
three together as a team to address the Dark Zone
situation. In this respect, the series is off
to a solid start. I immensely enjoyed Starlin's
scripting, here; he brings much depth to the
panel-by-panel narrative that creates two very credible
and detailed science fiction worlds, the planets that
both Adam Strange and Captain Comet currently inhabit.
While Bizarro might seem like an odd choice for a
third member of this superhero team, an excellent
narrative provided by Superman in the second story
weaves him smoothly into the growing plotline and
provides strong credibility as to why he will join
the other heroes in upcoming issues.
So if you like a science fiction theme to your
superhero comics, I think you definitely will want
to get onboard at the very beginning of this mini-series.
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Savior
28 #1
Publisher: IDW
J.M. DeMatteis: Writer
Mike Cavallaro: Artist
Andrew Covalt: Colors
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As DC fans know, the "Battle For The Cowl" is the name of the
current multi-title story arc addressing the
missing Batman situation across a range of DC Batman-oriented
titles. DC is also introducing part of
this theme in the new Gotham Gazette comic line.
Issue #1 is scripted by Fabian Nicieza, with a team
of eight artists drawing various sections of the comic.
This first issue is sub-titled "Batman Dead?" while
the sub-title will change to "Batman Alive?" starting
in issue #2.
The issue #1 plot basically introduces the reader
to four key Gotham City characters who will be
interacting with each other and addressing the missing
Batman mystery as the series unfolds: reporter
Vicky Vale, on-leave Superhero Stephanie Brown,
Dr. Leslie Thompkins and Police Commissioner Gordon's
ally Detective Harvey Bullock. Each of these
characters is introduced to us within their own
five-page individual sub-plot, book-ended by a mysterious
narrator for the overall story whom we meet in
the first and last page of this issue.
I enjoyed this piece of the "Batman is AWOL" story
puzzle for two particular stand-out reasons.
First, one of my favorite elements of the Batman universe
is the film noir language and atmosphere often attributed
to night in Gotham City. While not as detailed
an element here as in Frank Miller's ongoing DC All-Stars
Batman & Robin series, its still an elegant
and poetic part of this story. You
can't go wrong with a Batman story that begins with
the statement "Listen. Do you hear? The City is restless,
concrete skin heaving with deep, cracking breaths.
Gotham City suffers in seething frustration, as it
always has..."
Secondly, one of the strengths that DC has infused
into Batman comics over the years is the
stand-alone strength of Batman's supporting characters.
The personality and backstory built around Commissioner
Gordon alone could easily allow him to carry his own
comic line (and at times has, actually). As
such, the depth of these other Batman world characters
is both entertaining in this comic and gives me the
feeling that developing the Batman storyline for awhile
without The Caped Crusader as the central figure will
work as both entertainment and as a worthy addition
to the various Batman tales developed over the decades.
So bottom line: enjoy Gotham Gazette #1, both as a
stand-alone comic and as an entry issue into this
"missing Batman" theme, that's less marketing gimmick
and actually more of a sincere, intriguing new take
on the world of Batman.
From Our Special
Third Review Of The Week Shout-Out Department:
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Contest Winner !!!
The Bongo Congo judging team has reviewed the entries for our
latest contest, in which you gave us what you'd like to
see for a new superhero-based t.v. show, along with some
details about how the show would be presented. And
our winner is (drumroll, please)...Fardeen Chowdhury with
his pitch for a Smallville-style t.v. show about a young
Bruce Wayne, to be called "Gotham" or "Gotham Central."
The judges enjoyed the pitch immensely, and were so impressed
with the details that Fardeen gave us that they decided
to reprint for your enjoyment his entire show proposal,
as follows:
My idea for
the show is sort of inspired by the original idea
the current producers of Smallville were pitching
before they got their
start on the current show, of a young Bruce Wayne.
Taking off from this, my show would be called "Gotham",
or "Gotham Central" after the comic. The show would
actually prominently feature Gordon and Harvey Dent
as Gotham's main crime-fighting team, done in a sort
of gritty crime drama style. This show would be set
in a separate "universe" from that of the current
Christian Bale movies, and show Gordon's slow rise
to Commissioner, against a corrupt police and local
government. Harvey Dent would support Gordon's back
as an up and coming criminal attorney, and his slow
rise to becoming the DA would also be shown. Bruce
Wayne wouldn't be introduced until perhaps the second
or third season (assuming it makes it that far!) and
would only be shown as a sort of socialite fop, who
is usually "out of town" for months, sometimes a year
at a time. He occasionally wants to help Gordon and
Dent, but they treat him as more of an annoyance,
letting him know the only way he can help is to donate
to local charities and just keep to himself otherwise.
Bruce would be shown slowly gaining Gordon's trust,
but perhaps not Dent's.
Other characters who would be given either subtle
or overt introductions would be Selina Kyle, Talia
Al Ghul, Dr Thomas Eliot, the Drake family, the Graysons,
and so on. Unlike Smallville, these characters would
not be interacting with Bruce on a day to day basis
or be of exactly the same age as him.
The show would be an hour long drama, hopefully avoiding
the pitfalls of the "freak of the week" syndrome that
other shows of a similar nature are faced with. While
facing regular crime, early instances of classic Batman
villains would be introduced, as well as the various
mob factions as depicted in the Jeph Loeb/Tim Sale
books as well as the current films. An interesting
twist on the show near its fourth season run, is not
to unveil Batman per se, but to keep his existence
as more of an urban legend - but his presence is slowly
being felt through the department and the city. Jim's
confidence in himself as a cop would be shaken given
the level of crime escalation (even after his promotion
to commissioner) and Dent would find a newfound energy
for ridding Gotham of crime after becoming its DA;
especially to rid the city of the Batman and the ilk
of criminals he seems to be inspiring. The fourth
or fifth season would end with Gordon, Dent and the
Batman standing together for the first time on the
roof of the GCPD building, after the installation
of the brand new Bat symbol. |
Wow, Fardeen,
you should pitch this to the networks, sounds like you've
got the entire series covered!
Congrats, and enjoy your contest prize, a $10.00 That's
Entertainment store gift certificate.
Stay tuned for a new contest announcement in the near
future.
Happy reading, and see you next week Here In Bongo Congo!
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