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Review Date: 07/25/2008
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Wonder
Woman #20
Release Date: May 14, 2008
Publisher: DC Comics
Storyline: End of the Earth (Part 1 of 4)
Writer: Gail Simone
Pencils: Aaron Lopresti
Price: $2.99
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DC
decided to reinvigorate Wonder Woman last year by
rolling the numbering sequence back to #1. The
run is currently up to issue #23. A new 4-issue
story arc began in issue #20, so I recently gave it
a read to see whether or not I would recommend that
the loyal D.C. reader give the new story arc a try.
As you know from my reviews, I regularly (and boringly,
by now!) mention that I'm a classic D.C. fan.
As such, the "holy D.C. trilogy" of Superman, Batman
and Wonder Woman are on an A-list pedestal for me.
I've been a fan since childhood of all of the various
incarnations of Wonder Woman. Regarding the
current run, there's been a lot of mainstream media
attention to the fact that writer Gail Simone (of
Birds of Prey note) is the first female writer to
be handed writing duties for the premier D.C. female
superhero character.
Issue #20 is Part 1 of a 4-issue story arc entitled
"End Of The Earth," and is written by Simone, penciled
by Aaron Lopresti and inked by Matt Ryan. The
story alternates between two sub-plots; Wonder Woman
meeting-up with Beowulf in a snowy village while on
an Old World fantasy quest, interspersed with Diana
Prince a.k.a. Wonder Woman in her role as a government
agent back in the bureaucratic world of Washington,
D.C. trying to make her way in a Dept. of Homeland
Security-type job while dealing with mythological
creatures and situations.
At first read, I felt that the overall plot was of
high quality but moved much too slow. However,
on second thought I realized that actually Simone
hit the plotting nail on the head when it comes to
Wonder Woman, and I changed my recommendation to a
thumbs-up. Wonder Woman stories have always
been like those plots of T.V. movies made for The
Lifetime Network, really slow and steadily building.
The Wonder Woman issues traditionally have a comic
book structure with a higher-than-average conversational
dialogue in between shorter-than-standard scenes
of comic book action.
I don't mean this at all in a sexist way but rather
as a literary complement; Simone keeps-up the Wonder
Woman tradition of it being a well-crafted chick lit
comic book. And that's a good thing; the comic
isn't in the cookie-cutter mode of many other bang-bang
blow-up-the-world comics. It continues to be a bit
more cerebral and literate than some of the other
mainstream comics.
I'm glad that D.C. and Simone are still out there
doing this title up this way. As such, I'd recommend
that the eclectic D.C. reader mix this one into your
monthly reading pile, unless you're completely addicted
to quick-fix story arcs and over-heavy action comics. |
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